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Audio Description Institute

Registration is now open for the Audio Description Institute (ADI), taking place virtually September 14-18, 1–5 pm (ET). The course provides training in the craft of writing audio description and is open to sighted and blind participants. The fee is $575, which includes materials; two scholarships are available (details below). To ensure a high-quality learning experience, space is limited, so secure your place today. 

Why Learn about Audio Description?
Audio description (AD) provides access to artistic and educational visual images through succinct and vivid descriptions of elements that are crucial to understanding the creator’s intention. Learning the best practices of AD expands audience impact and demonstrates a commitment to accessibility and inclusion.

Who Should Attend the Audio Description Institute?

Anyone interested in:

  • working as a freelance description writer for film, series, advertising, gaming, etc.

  • working as a describer in a performing arts program

  • working as a describer for visual art images and exhibitions

  • refreshing existing AD skills

  • adding value to their own or employer’s equity, inclusion, and accessibility initiatives.

What Will I Learn?

  • audio description history and theory

  • the Four Fundamentals of Audio Description

  • active seeing/visual literacy; how to develop skills in concentration and observation

  • the art of editing what you see

  • vivid language: The Visual Made Verbal™

  • “Speak the speech, I pray you” – using the spoken word to make meaning

How Will I Learn?

Sessions will be held virtually from 1pm to 5pm ET, Monday, September 14, through Friday, September 18. Materials will be delivered through a mixture of lectures, discussions, and collaborative writing sessions. Each registrant will receive a PDF of Dr. Joel Snyder's book, The Visual Made Verbal: A Comprehensive Training Manual and Guide to the History and Applications of Audio Description. Participants also receive a certificate of completion.

Who Are the Instructors?

Led by Dr. Joel Snyder, the faculty includes blind and sighted audio description professionals (complete bios can be found below the registration information):

Joel Snyder, PhD, founder of the ADP, creator of the ADI, and audio description writer and voice talent
Joyce Adams, audio description writer and narrator

Susan Glass, freelance writer and poet and retired English professor

Elisa Jansen, audio description writer

Tristan Snyder, chief engineer and voice talent at Imagination Storybooks

Registration and Scholarships

Registration will close on Tuesday, September 8, 2026, and the Zoom links to attend the institute will be emailed later that week. Space is limited, so register using the link below.

Two full scholarships are available; priority will be given to people with disabilities. To be considered for a scholarship, please send an email outlining how and why you are a strong candidate, including your reason for requesting financial assistance and your plans for implementing what you learn in the ADI. Send the email to audiodescription@acb.org by August 23, 2026. Applicants will be notified of the status of their request for assistance by September 1, 2026.

Questions?

Contact Dr. Joel Snyder: jsnyder@audiodescribe.com

More about the ADI Faculty

Joel Snyder, PhD, is one of the first audio describers; he began describing theater events and media in 1981. He is the president of Audio Description Associates, LLC with clients world-wide (access www.audiodescribe.com for more information) and the Founding Director Emeritus of ACB's Audio Description Project (https://adp.acb.org), an initiative he founded in 2009. For six years, he led a staff that produced description for feature films and nationally broadcast series, including "Sesame Street" broadcasts and DVDs. Dr. Snyder has worked with description and trained describers in more than forty states and in more than sixty countries.

Joyce Adams has been producing and writing AD scripts for media and museum tours since 2002. She supervised AD script writers for the Described Media program at the National Captioning Institute, is the author of audio described tours for National Park Service visitor centers throughout the U.S. and regularly pens description for promotional videos produced by Microsoft. Most recently, Ms. Adams wrote the audio description scripts for several episodes of FROM, named by some viewers as "the creepiest show on TV." Ms. Adams along with Joel Snyder and other experts, serves on the ACVREP committee developing a certification program for audio describers.

Susan Glass is a freelance writer and poet whose chapbook, The Wild Language of Deer, was published by Slate Roof Press in January 2022. A retired English professor from San Jose State University and West Valley Community College, Ms. Glass taught English composition, American multicultural literature, creative writing, and interdisciplinary courses with a disability studies emphasis. An active member of the American Council of the Blind since 2013, she advocates passionately for audio description, especially in live venues such as theaters, museums, and parks. She loves hiking with her guide dog Omni and riding her horse, Travis.

Elisa Jansen is a graduate of the ADP Audio Description Institute. She has written audio description for networks and Internet platforms, such as NBC, CBS, Amazon, Hulu, and Netflix, as well as for the classic film Citizen Kane. Her work on promotional content includes descriptions for Walmart, Kimberly-Clark, and thousands of Microsoft videos. Ms. Jansen has provided audio description for museum tours and exhibits, including the Smithsonian, the Nevada State Museum in Las Vegas, and the U.S. Olympic & Paralympic Museum.

Tristan Snyder has been in the video description industry for more than thirteen years, including his work as the chief engineer and voice talent for Imagination Storybooks. He has produced hundreds of hours of description for network television, and film. He is an award-winning producer of audio drama, including Ray Bradbury's "Something Wicked This Way Comes" and "The Halloween Tree." As a voiceover artist, Mr. Snyder has voiced many hours of description and performed as a character voice actor for audio dramas and animation.

 

 

 

 

Surveys and studies
We need your voice! The Audio Description Project (ADP) is launching a comprehensive survey to capture the real-world experiences of blind and low vision (BLV) and sighted consumers using popular streaming services. The survey is open now and will close on Monday, August 31, 2026. 
 

Why This Survey Matters

While streaming entertainment has expanded massively, navigating the platforms themselves is inconsistent and often remains a challenge. This survey is designed to gather data and to help streaming service providers understand exactly where blind and low vision users face barriers within the specific service user platform interface.
 
With the data collected, we will be able to:
  • Provide detailed, platform-specific feedback to individual streaming services regarding usability and accessibility issues.
  • Develop industry best practices.
  • Positively influence the consumer experience and make these platforms easier and more intuitive for everyone.

What to Expect

The survey begins with basic demographic information, followed by identifying questions on which streaming services you use, and then specific questions on your overall user experience with each of those services.
  • Who should take the survey: anyone who watches audio described content on a streaming service. You do not have to be blind or low vision to take this survey.
  • How long will it take? If you only use a few streaming platforms, the survey will be relatively short. If you use a wide variety of services, it may take a bit longer.
  • Our Request: We strongly encourage you to provide data for every service you actively use.
 
Having a robust pool of data for each individual platform gives us the data needed to support meaningful changes.

We know surveys can feel tedious and take time out of your day, but your input directly benefits the collective BLV community.We deeply appreciate your participation and do not take your time or effort for granted.

Questions or Issues?

If you run into any technical difficulties or have questions about the survey, please feel free to reach out directly to Renee Arrington-Johnson at renee@acbohio.org.

Don't delay; the survey closes on Monday, August 31, 2026!
 
Thank you for helping the ACB Audio Description Project advocate for more accessible streaming experiences.
General announcements
The ACB Audio Description Project worked with FIFA and their audio description contractor to share the exciting information below about accessibility for the FIFA World Cup, both in-stadium and remote for radio and subscribed television for all matches.                                                    

FIFA World Cup 2026™ To Feature Audio Descriptive Commentary

FIFA is dedicated to making sure that all fans — including those with disabilities and their families and friends — have an excellent experience at this year’s FIFA World Cup™.

Featuring 48 teams for the first time, this year’s tournament will be more inclusive than ever — not only expanding participation among nations, but also enhancing accessibility for fans with disabilities through expanded resources designed to make the matchday experience truly memorable.

Some initiatives build on activations used successfully at the FIFA Club World Cup 2025™, such as sensory bags and audio-descriptive commentary.

Audio-descriptive commentary

Audio-descriptive commentary (ADC) will be available for all FIFA World Cup 2026 matches, as well as the opening and closing ceremonies. This service enhances the match experience for blind and low vision fans. Commentators provide narration beyond standard radio commentary, describing key visual elements of the match, such as body language, facial expressions, the on-pitch action and the movement of the ball.

For matches in Canada, commentary will be available in English and French. For matches in the United States and Mexico, commentary will be available in English and Spanish. Fans can access the ADC broadcast through the FIFA Audio Description app, available on the Google Play Storeor Apple App Store.

The app is designed primarily for in-stadium attendees specifically, but is available to anyone interested in using it for the matches. It is a free app on the Google Play or Apple App Store. The app will provide a full commentarytrack with a descriptive broadcast from beginning to end. It is not necessary to use the app in conjunction with the Fox Sports broadcast,or in lieuof any other radio broadcast. Consumers will have a couple of options: listen to the app as a stand-alone experience, or they can combine the app with the TV experience. Be aware that listening to the ADC (which will be in real time) while having the game on tv may not be synced up exactly due to TV broadcast delays.

Accessible innovations

Following a successful debut at the Club World Cup 2025, haptic devices will return for the FIFA World Cup 2026, with units deployed across stadiums in Dallas, New York New Jersey, Seattle and Vancouver for select matches.

These haptic devices enable blind and low-vision fans to feel the game as it unfolds in real time, translating live match action into tactile and audio feedback so that every goal, every tackle and every moment of play is accessible from the stands.

Tournament app accessibility

The FIFA tournament app is designed with accessibility in mind to help all fans enjoy a more inclusive matchday experience.

App accessibility features include the following:

  • Adjustable font size for easier reading
  • Customizable color contrast for improved visibility
  • Captions on videos to support Deaf and Hard-of-Hearing users

Each stadium has a dedicated section within the app, as well as onFIFA.com, where fans can learn about venue-specific accessibility services. This includes further information on mobility assistance, sensory services, accessible seating and the availability of services like closed captioning.

To read the full press release, visit https://inside.fifa.com/organisation/news/accessibility-world-cup-2026-disability-social-inclusion.

General announcements
PBS fans—did you know that PBS offers audio-described content for many of its programs? Enjoy popular shows like NOVA, American Masters, Independent Lens, Masterpiece and more with AD. With thousands of audio-described episodes available, people who are blind or have low vision can fully experience many of their favorite PBS shows.
 
You can access PBS programming for free on your TV or mobile device using the PBS App, or online at PBS.org.
 
Visit the PBS website to explore audio-described content: http://to.pbs.org/audio-description
Conferences

The American Council of the Blind’s Audio Description Project (ADP), in collaboration with Artifact Studios, will host a virtual screening of the documentary film BRAILLED IT as part of the ADP Conference, which takes place during the 2026 ACB convention in July.  

BRAILLED IT documents three contestants in the annual Braille Challenge Finals where the best under-18 braille readers in the English-speaking world descend upon Los Angeles for a three-day competition. For one weekend, these BLV kids aren’t the minority in the room as they go head-to-head against old rivals, establish life-long bonds, and are given the opportunity to be recognized for something beyond their disability. 

BRAILLED IT is filmed almost entirely by the subjects, empowering them to be the filmmakers— capturing an authentic experience from a BLV perspective. The often-disorienting cinematography challenges sighted audiences to follow the action on the young filmmakers’ terms. Open audio description, developed and implemented as an essential element of the filmgoing experience, helps the audience understand this unique cinematic world through non-visual cues. 

The overwhelmingly positive response to BRAILLED IT’s initial screenings and premiere at the Slamdance Film Festival has inspired Artifact Studios to take the film on the road with a series of screenings and events beginning July 12, 2026, at The Coolidge Theater in Boston. These screenings are meant to activate and engage local BLV communities to participate in a shared experience rarely offered by local theaters. Attendees can expect Q&A sessions with the filmmakers and braille literacy advocates. For those who can’t attend an in-person screening, Artifact will also be hosting virtual screenings with accompanying Q&As. 

Visit brailledit.com for more information, upcoming events and to contact Artifact Studios to organize a screening of the film.

About the Braille Challenge: Braille Challenge is the only academic competition of its kind, held annually from January through March, for students who are blind or visually impaired. Developed by Braille Institute 25 years ago, the program inspires students to practice and strengthen their braille literacy skills, which are vital to academic and career success. Originally launched in the United States, Braille Challenge has since expanded to include participants from other countries, promoting braille literacy and inclusion on an international scale.

About Artifact Studios: Artifact launched over 20 years ago to produce artful, independent nonfiction films—and content for purpose-driven brands. Their work illuminates unique human stories and allows audiences to identify with and understand the issues that shape all of our lives.

Led by Artifact co-founder David Grabias, Artifact’s collective of directors, cinematographers, editors, and producers are among the most respected in the field. They have garnered Emmy Awards and nominations, Clios, Geminis, and awards from scores of film festivals and institutions including Sundance, Tribeca, ITVS, The Center for Asian American Media, The California Council for the Humanities, and the Museum of Modern Art in New York. 

 

Conferences

The Audio Description Project's 2026 virtual and hybrid conference schedule has been released; access the details on the ADP Conference page. Held July 16-18, the conference features panels of experts and consumers discussing multiple aspects of the creation and distribution of audio description. 

This year's panels include an exploration of next-gen television, a guided tour of the ADP website, a behind-the-scenes journey with an AD file, a screening of a film created with footage recorded by Braille Challenge competitors, and more. Registration opens in late May for ACB members and early June for non-ACB members; you can register on the ACB Convention website and receive Zoom links, or you can listen on ACB Media (links will be added soon).

If you want to learn more about audio description now, enjoy recordings of previous ADP Conferences on the ADP Archival Documents page!

General announcements

Here's an update from the ACB Advocacy team: One of ACB's legislative imperatives, the Communications, Video, and Technology Accessibility (CVTA) Act, was reintroduced in Congress on April 16, 2026.

This bipartisan bill updates the 21st Century Communications and Video Accessibility Act (CVAA) to ensure people with disabilities can fully access today’s communication and video technologies.

The CVTA Act would:

  • Strengthen closed captioning and audio description for TV and streaming
  • Make accessibility features easier to find and use across devices
  • Improve access to video conferencing platforms
  • Expand equitable access to 9-1-1 services
  • Ensure accessibility rules keep pace with emerging tech like AI and virtual reality.

ACB proudly supports the CVTA Act and applauds Senator Edward Markey’s leadership in advancing this bill. ACB has worked alongside a broad coalition of disability advocates to move this legislation forward, including making it a priority at this year’s D.C. Leadership Conference.

Stay tuned for more details about the CVTA Act, including how you can help ACB advocate for its passage.

The text of this bill is not yet on Congress.gov, but it can be accessed at this link: https://www.markey.senate.gov/imo/media/doc/communications_video_and_technology_accessibility_act.pdf
 
A one-page explanation of the bill is available at the following link: https://www.markey.senate.gov/imo/media/doc/cvta_one_pager.pdf

Read Senator Markey's press release here: https://www.markey.senate.gov/news/press-releases/sens-markey-lujan-reps-dingell-fitzpatrick-reintroduce-bill-to-ensure-communication-and-video-technologies-are-accessible-to-people-with-disabilities

Performing arts, Museums, parks, and tours

The Audio Description Project Performing Arts Committee had a busy 2025 and has an exciting to-do list for 2026. The committee’s ongoing goal is to improve the awareness, quality, and availability of audio description in live theatrical events, museums, and historic and recreational parks.

A significant highlight of the ACB year is the Conference and Convention, which is composed of dozens of panels over multiple weeks in June and July. To extend the convention’s reach and provide resources to virtual attendees, the Performing Arts Committee assembles a number of audio described tours that are available throughout the convention dates. The committee is hard at work now choosing the tours for 2026, so be sure to keep up with the latest news on the ACB Conference and Convention website.

Perhaps you’ve noticed the new design of the ADP website. The Performing Arts Committee is working to maintain the website’s listing of theatres, performing arts centers, museums, and parks that have a history of providing audio description. Access the pages to discover what’s audio described near you; you’ll also find a form so you can add a venue. Click here to visit the Performing Arts page and here for the Museums and Parks page.

Finally, the ADP Awards are an important way to recognize AD excellence on local levels. Past recipients include art museums, national parks, and individual audio describers who deliver live audio description in regional performing arts centers. Access the ADP Awards page for a list of honorees. And if your neighborhood theatre, museum, or park is doing great work, click here to submit a nomination (the deadline is April 6, 2026).

The ADP depends on the volunteer members of its associated committees. Check the ADP website and social media regularly for updates on all the exciting progress we’re making!

General announcements

In the March 4, 2026, episode of the Eyes on Success podcast, Roy Samuelson discussed writing and performing description that match on-screen action, carry the emotion of scenes, and make the experience more enjoyable. Roy teaches and advises others on how to do audio description well, from writing to voicing. Go behind the scenes with Roy and hosts Nancy and Peter Torpey - you can find the episode and show notes with links to Roy's book and other great resources by clicking here.

General announcements

The 98th Academy Awards were held March 15. Here's where to find the Best Picture nominees that have audio description. This list was updated for the final time on May 2, 2026. You can click on each title to search our Directory for current information after that.

Bugonia - Apple TV Store, DVD, Fandango, Netflix, Prime Video

F1 - Apple TV, Apple TV Store, DVD, Fandango, Prime Video

Frankenstein: The Anatomy Lesson - Netflix

Hamnet - Apple TV Store, Fandango, DVD, Hulu, Peacock, Prime Video

Marty Supreme - Apple TV Store, DVD, Fandango, HBO Max, Prime Video

One Battle After Another (WINNER!) - Apple TV Store, DVD, HBO Max, Plex, Prime Video

Sentimental Value - There is no known AD track for this film

Sinners - Apple TV Store, DVD, HBO Max, Plex, Prime Video

The Secret Agent - There is no known AD track for this film

Train Dreams - Netflix