Audio Description Training and Education Resources
This page is divided into the following sections:
Audio Describer/Narrator Training
There are very limited opportunities to get trained as an
audio describer and fewer as an audio narrator. Training is often held in conjunction with conferences.
Here we list the opportunities that we know about, and we solicit information
from anyone who is offering training opportunities for audio describers
anywhere in the world! Our "flagship" training program is the ADP's
Audio Description Institute, but the following
programs are listed in the order of next-scheduled training after any upcoming ACB/ADP class.
Last Update: Dec 10, 2024.
Audio Description Institute (ADI)
The ACB's Audio Description Institute (ADI) is held virtually twice a year. The class is taught by Dr. Joel Snyder and a team of sighted and blind audio description professionals. The next session will be scheduled for sometime in 1H2025. The links and information below are left for your reference for the next class.
Click here to access complete details on the course material, scholarship opportunities, and faculty biographies.
Topics covered include:
- audio description history and theory
- the Four Fundamentals of Audio Description©
- active seeing/visual literacy; developing skills in concentration and observation
- the art of editing what you see
- vivid language: The Visual Made Verbal™
- Speak the speech, I pray you – using the spoken word to make meaning
The ADI can benefit anyone interested in:
- working as freelance description writer for film, series, advertising, etc.
- working as a describer in a local performing arts program
- working as a describer for visual art images and exhibitions
- refreshing existing AD skills
- adding value to their own or employer’s Diversity, Equity, Inclusion, and Accessibility (DEIA) initiatives
NOTE! The ADI is taught by the
founder of the Audio Description Project, Dr. Joel Snyder, who
has taught audio description all over the world and obtained
his doctorate degree in the subject. His book based on his work with audio description,
The Visual Made Verbal, is available for under $20 by clicking
the link. The book is given to each workshop participant. |
2024 - 2025 AUDIO DESCRIPTION COURSE
Bonnie J. Barlow
720-373-1427
bonniejbarlowdescription@gmail.com
ENDINGS AND BEGINNINGS - AUDIO DESCRIPTION AS YOU LIKE IT
With the completion of another 12-month trip around the sun, and the impending new year, we often form a resolve to assess the recent past and focus on our goals and desires for the near future. This is a time for reflection, decision-making and moving forward. If you have wanted to explore learning more about audio description and how to be an audio describer for the blind and visually impaired, this course will provide you with a solid foundation for the coming year.
THE BASICS OF AUDIO DESCRIPTION FOR THE BLIND AND VISUALLY IMPAIRED.
This course covers the principles of audio description, observation skills, and the creation of audio description scripts based on artistic considerations of writing, practicing, and refining your skills. This course also touches on specific tracks to follow for future goals whether they be in the areas of writing for TV, streaming platforms, films and videos, or for the live arts (such as describing plays and immersive arts experiences). The areas may extend to museums and galleries, educational content, and voice-over and editing, depending on the interests of the students. We will cover finding freelance work and joining the force of those providing audio description today.
The course timing will be set by the first participants who respond and it is flexible. One-on-one training is also available. We will take four weeks at 90 minutes per week to learn and practice audio description. A certificate of completion of my course as an Audio Description Specialist will be attained. The cost is $300.
Note: This training is not sponsored by the ACB or the Audio Description Project.
Audio Description Training Retreats
Audio Description Training Retreats provides affordable, unique, and high-quality virtual training experiences in the art of Audio Description, with blind and sighted professionals.
Classes are held via Zoom over 3-4 days, and class size is limited to 6-8 students to ensure adequate practice time and feedback for each participant. Whether you want to start a new career or hone your skills in Audio Description, our trainings offer a comprehensive base for all avenues of the industry.
Classes
Fundamentals of Audio Description with Liz Gutman and Colleen Connor
Next class dates TBD
Tuition: $770 for participants, $570 for observers
Advanced AD: Writing for the Screen with Melissa Hope and Colleen Connor
Next class dates TBD
Pre-requisite: ADTR Fundamentals or equivalent training/experience
Tuition: $770 per person
Visit the Audio Description Training Retreats website for more information and testimonials from past students. Click here for upcoming class dates, curriculum details, and the link to apply. To see if there are spots available, ask questions, get on their mailing list, or be notified of future classes, email them at info@adtrainingretreats.com. Listen to a podcast which includes a discussion of how the company came into being, and opportunities for blind consumers to help create and record audio description; or read this article on the director of ADTR, Colleen Connor.
Note: ADTR is not sponsored by the ACB or the Audio Description Project.
Access Virginia
Access Virginia
in Newport News periodically provides training for audio describers.
The last class was in October 2024, at Access Virginia, Newport News, VA. Here is the class announcement for reference.
(Printable
copy of brochure above)
You can contact them at
accessvirginia@gmail.com.
Note: This training is not sponsored by the ACB or
the Audio Description Project.
Audio Describer Training in Raleigh/Durham/RTP
Area of NC
Arts Access
Inc. of Raleigh, NC, holds audio describer training annually and
will conduct special classes for groups, including traveling to their
location, if requested. Participants will learn:
- The Basics of Audio Description: Guidelines for
communicating visual details effectively and in the moment
- Who Uses Audio Description?: Understanding Blind and
low vision culture, disability language and etiquette
- AD in Different Settings: How AD works in visual art,
performing arts, film, and online events
- Practice Sessions: Practice your new skills with
experienced describers and Blind listeners
- Case Studies: Hear from previous participants in Arts
Access AD Training who took the skill back to their
organizations and communities to start new programs
The next class is tentatively scheduled for 1H2025. If interested, please email Arts Access, or call 919-833-9919. Scholarships are sometimes available if needed for NC residents. FOR REFERENCE, visit the Arts Access Audio Describer Training description. Arts Access has been providing audio description since the early 1990s.
Note: This training is not sponsored by the ACB or
the Audio Description Project.
Emotionally Engaging Audio Description
Roy Samuelson enhances audience engagement and brand loyalty by providing high-quality, emotionally resonant audio description (AD) and consulting that makes accessible storytelling a powerful, inclusive experience for all viewers. He produces, coaches, performs, hires, and advises on AD for video content. Email roy@roysamuelson.com for more details. Also:
- Visit theADNA.org, a database of professionals in AD, along with the podcast “The ADNA Presents” showcasing talents in AD
- Purchase Roy's book, A Voice Actor's Guide to Audio Description Performance,
at roysamuelson.com/book.
Note: This training is not
sponsored by the ACB or the Audio Description Project.
Inclusive Media: Real-time Closed Captioning and Audio Description/Described Video
A Course at Ryerson University in Canada
Learn how to use the latest live closed captioning (CC) and audio description/described video (AD/DV) techniques and technologies to create inclusive and accessible broadcast content for a variety of audiences. Through hands-on training and theoretical learning, explore CC and AD/DV software tools, script writing and re-speaking techniques, and relevant industry regulations and legislation. Industry experts will help you develop both fundamental and advanced skills for this growing field.
View the Course Description.
Note: This training is not sponsored by the ACB or the Audio Description Project.
Audio Description Training
Materials
The following are AD Training materials that we know about.
Authors are encouraged to submit others to the webmaster for inclusion
here.
Educational Description
Here we list pointers to information about audio description in education,
both for training and for acquisition of the end product.
DCMP refers to the
Described and Captioned Media
Program.
- DCMP
Media Library - over 4,000 free-loan described and captioned media
titles available to registered Level 2 members
-
Listening Is Learning - a DCMP project devoted to raising awareness
about the learning benefits of listening to description of video-based
educational media
Best Practices for the Digital Environment
Academic Articles
The History of Audio Description - Seminal Document Now Available
We are pleased to make available a copy of the May 1975
Master's thesis on audio description by Gregory Frazier,
The Autobiography
of Miss Jane Pittman: An All-Audio Adaptation of the Teleplay for the Blind
and Visually Handicapped.
Joel Snyder discusses the document in his book,
The Visual Made Verbal:
A Comprehensive Training Manual and Guide to the History and Applications
of Audio Description, published by the American Council of the Blind
in 2014. In the book, Dr. Snyder notes that:
"On the U.S.'s west coast: Gregory Frazier, a professor
at San Francisco State University, formally developed the concepts behind
audio description and general guidelines for its use. In its 1996 obituary
of Gregory T. Frazier, the New York Times called Frazier 'a San Francisco
visionary who hit on the idea of providing simultaneous electronic audio
descriptions for the blind so they could enjoy more than the dialogue of
movies, television and theater performances.'
"In the early 1970s, Frazier was relaxing at his home with a friend who
happened to be blind. The evening's entertainment? High Noon with
Gary Cooper, playing on television. The NY Times article relates that 'At
the friend's request, Frazier, speaking rapidly between the lines of dialogue,
provided terse descriptions of the scenes and actions. The friend was so
appreciative that by the time Gary Cooper had shot Frank Miller dead, ripped
the star off his own chest and thrown it to the ground before climbing into
a carriage and driving off with Grace Kelly, Mr. Frazier … was a changed
man.'
"Frazier realized that the concise descriptions he provided for his friend
extemporaneously could be thought-through, edited, recorded and played through
FM radio receivers at movies - or carried over secondary audio channels
on television. Frazier, a graduate of San Francisco State University, returned
to college to obtain a Master's degree in broadcast journalism, developing
a thesis -- 'television for the blind' -- that explored the use of description
to enhance the 1974 television production of The Autobiography of Miss
Jane Pittman.
"In 1991, Mr. Frazier founded the non-profit corporation AudioVision SF
to provide description for the performing arts in San Francisco-area venues.
AudioVision SF still exists, providing description on a regular basis for
theater performances throughout the Bay Area. In 2010, Audio Vision SF and
Gregory Frazier posthumously received the Barry Levine Memorial Lifetime
Achievement Award in Audio Description, presented by the American Council
of the Blind's Audio Description Project."
Other Academic Articles
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